An Ecosystem of Excess (TR)
Installation: drawings, projections, and sculptures
Pinar Yoldas (TR)
Sylvie Earle, explorer and oceanographer, says Earth is a misnomer and the planet should be called the Ocean. Oceans are the life support system of the planet as well as its salty wombs. The ancient ocean, the primordial soup, gave birth to the very first organic molecules and was brimming with prehistoric living organisms. That was four billion years ago. Today the composition of oceans is undergoing a dramatic change in which synthetic molecules are taking over. Anthropogenic waste has filled our oceans in less than two decades. A striking site in this respect is the Great Pacific Garbage Patch. Covering between 700000 and 15 million square kilometers, the site is a monument to plastic waste on a global scale. Referring to Kantian aesthetics, it is a truly ‘sublime’ kinetic sculpture built by all the nations around the Pacific Ocean through many years of mindless, unsustainable consumption. As environmental activist and discoverer of the Trash Vortex Captain Charles Moore boldly claims, ‘the ocean has turned into a plastic soup.’ From primordial soup to plastic soup, An Ecosystem of Excess asks a very simple question: ‘If life started today in our plastic debris filled oceans, what kinds of life forms would emerge out of this contemporary primordial ooze?’ The project introduces pelagic insects, marine reptilia, fish and birds endowed with organs to sense and metabolize plastics as a new Linnean order of post-human life forms. Inspired by the groundbreaking findings of new bacteria that burrow into pelagic plastics, An Ecosystem of Excess envisions life forms of greater complexity, life forms that can thrive in man-made extreme environments, life forms that can turn the toxic surplus of our capitalistic desire into eggs, vibrations, and joy. Starting from excessive anthropocentrism An Ecosystem of Excess reaches anthropo-de-centrism, by offering life without mankind.
Pinar Yoldas is a cross-disciplinary artist and researcher. Her work investigates social and cultural systems with regard to biological and ecological systems. Lately she has been designing mutations, tumors, and neoplasmic organs to rethink the body and its sexuality transformed by the mostly urban habitats of techno-capitalist consumerism. Pinar received her MFA from University of California Los Angeles. Currently she is pursuing her PhD in the Art, Art History and Visual Studies department at Duke University. Her research interests include bio-art, art-neuroscience interactions, and eco-feminism. Prior to her education in the United States, she received a Bachelors of Architecture from Middle East Technical University, a Master of Arts from Istanbul Bilgi University and a Master of Science from Istanbul Technical University. She holds a bronze medal in organic chemistry in the national science olympics and had her first solo painting exhibition when she was five.